Volume one of a two-volume set that brings together papers from scholars on modern creative arts of India. The papers were originally presented at the national seminar ‘Comparative Aesthetics and Criticism of the Contemporary Arts,’ organised by the Maharaja Sayajirao University of Baroda in 1991.
Onsite
English
1995
348
1
anthology,
conference proceedings
Interrelationship of the Arts - Kapila VATSYAYAN
Televising the Discovery of India
Place of the Modern in Indian Cultural Practice - Geeta KAPUR
Anthropology and Temporality: A Criticism of Theory and Discourse in the History of Anthropological Writing - Alexander HENN
Modernism: An Intellectual History - Prafulla C. KAR
A Conceptual Census of the Arts: A Note - Ashok R. KELKAR
The Imperative to Evaluate: Note towards a genealogy - Tejaswini NIRANJANA
The Indian Artist and the 'Long Revolution' - G.P. DESHPANDE
The Viability of Comparative Aesthetics - Rekha JHANJI
The Critical Literary Science: An introduction to its Method with a Reference to its Significance in the Indian Context - Niteen Gupte
Contemporary Aesthetics and Criticism - Ashok RANADE
Logistics and Aesthetics - D.D. MAHULKAR
Art Object and Creative Leap - Ranjit Singh RANGILA
Function of Literary Criticism in India - G.N. DEVI
Decolonising the Indian Mind - Namvar Singh
Why not Worship in the Nude?: Reflections of a Novelist in His Time - U.R. Anantha MURTHY
Taking off from the Ground: Hindi Literature and Contemporary Art Problems - Jagdish SHIVPURI
Transformation of a Legend: Shiv Kumar Batalvi's 'Luna' - Parminder SINGH
Turmoil Beneath Balance: Reflections on Two Dalit Autobiographies from Maharashtra - S.P. PUNALEKAR
Dialogism and the Voice of the Dumb - Kikkeri NARAYAN
The IPTA in Bengal - Malini BHATTACHARYA
My Concept of Theatre - K.V. SUBBANNA
Peter Brook's 'Mahabharata': A View from India - Rustom BHARUCHA
Punjabi Folk-Drama as a Discourse in Performance: Innuendo and Humour (A Perspective in Aesthetic Perception) - Ranjeet Singh BAJWA
Dramatic and Theatrical Spaces - Hasmukh BARADI
People's Performances: A Perspective in Rural Communication - H.K. RANGANATH
Creative Arts in Modern India: Essays in Comparative Criticism Vol. 1
Relevant content
Living Traditions of Indian Art
A number of government institutions and museums dedicated to rural arts and crafts emerged in India soon after independence. Artists studied the contexts, techniques, and forms of traditional art practices. This engagement brought forth new questions about tradition in the twentieth century, the relationship between modern and traditional art, creating a sustainable environment for traditional arts, and the preservation of these disappearing forms. Artists in Baroda responded with institutional initiatives, research projects, artist exchanges, workshops with artisans from rural contexts, and the annual Fine Art Fairs.
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