'In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites.

In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society.

Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.' - from publisher's website.

With an introduction by Jussi Parikka and an interview with Wolfgang Ernst by Geert Lovink. Includes bibliographical references and index.
Alternative title

Electronic Mediations

Access level

Onsite

practitioner
editor
Location code
REF.ERW
Language

English

Publication/Creation date

2013

No of pages

265

ISBN / ISSN

9780816677672

No of copies

1

Content type

monograph

Chapter headings

Media Archaeology as a Transatlantic Bridge

Part I: The Media-Archaeological Method

Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines

Media Archaeography: Method and Machine versus the History and Narrative of Media

Part II: Temporality and the Multimedial Archive

Underway to the Dual System: Classical Archives and Digital Memory

Archives in Transition: Dynamic Media Memories

Between Real Time and Memory on Demand: Reflections on Television

Discontinuities: Does the Archive Become Metaphorical in Multimedia Space?

Part III: Microtemporal Media

Telling versus Counting: A Media-Archaeological Point of View

Distory: One Hundred Years of Electron Tubes, Media-Archaeologically Interpreted vis-a-vis One Hundred Years of Radio

Toward a Media Archaeology of Sonic Articulations

Experimenting with Media‐Temporality: Pythagoras, Hertz, Turing

Appendix: Archive Rumblings: An Interview with Wolfgang Ernst

Digital Memory and the Archive
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Digital Memory and the Archive