'... Offering a specifically-feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock’s dedicated exploration of feminist interventions in art’s histories.' - from back cover.
Alternative title

Rethinking Art's Histories

Access level

Onsite

Location code
REF.POG
Language

English

Publication/Creation date

2013

No of pages

383

ISBN / ISSN

9780719087981

No of copies

1

Content type

monograph

Chapter headings

Introduction: trauma and artworking

Part I Sounds of subjectivity

1. Gasping at violence: Daphne's open mouth and the trauma of gender

2. Seduction, mourning and invocation: the geometry of absence in works by Louise Bourgeois

3. Being and language: Anne Maria Maiolino's gestures of exile and connection

Part II Memorial Bodies

4. Traumatic encryption: the sculptural dissolutions of Alina Szapocznikow

5. Fictions of fact: memory in transit in Vera Frenkel's video installation works Transit Bar (1992) and Body Missing (1994)

Part III Passage through the object

6. Deadly objects and dangerous confessions: the tale of Sarah Kofman's father's pen

7. '... that, again!': pathos formula as transport station of trauma in the cinematic journey of Chantal Akerman

Conclusion

After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum
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After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum