Taipei Biennial 2016: Gestures and Archives of the Present, Genealogies of the Future

When 10 Sep 2016 - 5 Feb 2017
Where Taipei Fine Arts Museum
No. 181 Zhongshan N. Road Sec. 3
Taipei 10461

Press Release

With Dareen Abbas, Lawrence Abu Hamdan, Saâdane Afif, John Akomfrah, Francis Alÿs, anarchive, Sven Augustijnen & Hannah Ryggen, Chang Teng-Yuan, Chen Chieh-jen, Eric Chen & Rain Wu, Fei-hao Chen, I-Hsuen Chen, Chiang Kai-chun, Tiffany Chung, Tacita Dean, Manon de Boer, Ângela FFerreira, Peter Friedl, Valeska Gert, Kyungah Ham, James T. Hong, Chia-Wei Hsu, Li-Hui Huang, Huang Mingchuan, Po-Chih Huang, Yi-Chen Hung, Im Heung-soon, siren eun young jung, Bahman Kiarostami, Kao Jun-Honn, Kuo Yu-Ping, Latifa Laâbissi & I-Fang Lin & Christophe Wavelet, I-Chern Lai, Yi-Chih Lai, Lê Th? Kim B?ch, Xavier Le Roy, Hsu-Pin Lee, James Ming-Hsueh Lee, Pierre Leguillon, Minouk Lim, River Lin, Lin Yi-Wei, Chih-Hung Liu, Vincent Meessen, Christine Meisner, Santu Mofokeng, Jean-Luc Moulène, Reinhard Mucha, Pages Magazine, Park Chan-Kyong, Pen Sereypagna & The Vann Molyvann Project, Pen Varlen, Jo Ractliffe, Ella Raidel, Yvonne Rainer, Shubigi Rao, Ad Reinhardt, Walid Sadek, Anri Sala, Alexander Schellow, Shake, Nida Sinnokrot, Penny Siopis, Su Yu Hsien, Nasrin Tabatabai & Babak Afrassibi, Ting Chaong-Wen & Yannick Dauby, Tr?n Luong, Truong Công Tùng, Po-Hao Tseng & Lecture of Ghost, Hong-Kai Wang, Wang Mo-Lin & Blacklist Studio & Au Sow-Yee, Christophe Wavelet, Witkacy, Wu Chi-Yu & Shen Sum-Sum & Musquiqui Chihying, Paola Yacoub, Yeh Wei-Li & Yeh Shih-Chiang.

With contributions from more than 80 artists, Taipei Fine Arts Museum and guest curator Corinne Diserens will present a rich, five-month long artistic program interweaving exhibitions, performances, screenings, symposiums, readings, conferences, and workshops in on-going collaborations with various cultural and educational institutions.

Gestures and Archives of the Present, Genealogies of the Future aims to explore the museum's catalytic role in navigating between knowledge systems and in the experience of trans-artistic practices and research in societal configurations that take into consideration cultural paradigm shifts. Treating the biennial as a matrix, an organic whole with its various forms, intensities, rhythms, and traces, it engages "performing the archives, performing the architecture, performing the retrospective" and the invention of narrative apparatuses and reflexive images in relation to artistic productions and practices of thought with a firm grip on historical conditions and realities, which play along with or resist realities to come, or whose advent is impossible.

With works that aim to keep alive the collective, imaginary memory of potentially yet to be revealed images, the biennial proposes to unravel relations to archiving or anti-archival gestures and modes of memorization in an effort to shed light on their readings/usage and potential appropriations, considering that their geneses are closely bound to a "critical intimacy" between the artwork and the spectator/visitor. Doing so, it aims to contribute to a coherent critique of institutional bureaucracy so that radical thought does not lose its vital center and ability to disarm configurations of power, thereby unlocking human imagination out of dead zones to explore heterogeneous narratives and allow common memory to disseminate and settle.

The biennial's program offers a space embracing artistic experimentations and debates with various publics, reconfiguring the logic of what is shared, a site for public staging in relation to an idea of art as well as to evolving acts and forms seeking emancipation from the dominant narratives that rule social life.

With the production, co-production, and presentation of a large number of new artworks, films and performances from Taiwanese, Southeast/East Asian, and international artists, the biennial has become a major actor in supporting contemporary art in Taiwan. Exploring historical coincidences and resonances, some invited artists are also proposing evocations and presentations, with visual, performative, or discursive configurations, that engage with seminal artistic gestures and the corpuses of major artists of the last century that have nourished their own practices, including John Cage, Lygia Clark, Marcel Duchamp, Valeska Gert, Le Corbusier, Hannah Ryggen, Yvonne Rainer, Ad Reinhardt, Witkacy, and Yeh Shih-Chiang, among others.


CHANG Tengyuan(張騰遠)
Eric CHEN(陳宣誠)
Feihao CHEN
CHEN Chuanxing(陳傳興)
Tiffany CHUNG
HSU Chiawei(許家維)
HUANG Pochih(黃博志)
IM Heungsoon(임흥순)
KAO Junhonn(高俊宏)
Ifang LIN(林怡芳)
Yichih LAI(賴易志)
LEE Minghsueh(李明學)
Kuibi LI(李奎壁)
River LIN(林人中)
LIU Chihhung(劉致宏)
SU Sam Yuhsien(蘇育賢)
Pohao TSENG(曾伯豪)
DAUBY Yannick(澎葉生)
WANG Hongkai(王虹凱)
Sowyee AU(區秀詒)
Sumsum SHEN(沈森森)
Musquiqui Chihying(Musquiqui 致穎)
CHEN Chiehjen(陳界仁)
Rain WU
I-Hsuen CHEN(陳以軒)
Kaichun CHIANG(江凱群)
James T. HONG(洪子健)
HUANG Lihui(黃立慧)
HUNG Yichen(洪藝真)
JUNG Siren Eun Young(정은영)
KUO Yuping(郭俞平)
Ichern LAI(賴怡辰)
Thi Kim Bach Le
LEE Shubin(李旭彬)
LIM Minouk(임민욱)
LIN Yiwei(林奕維)
PARK Chankyong(박찬경)
Truong Cong Tung
TING Chenwen(丁昶文)
TRAN Luong
WANG Molin(王墨林)
WU Chiyu(吳其育)
YEH Weili(葉偉立)
YE Sichang(葉世強)




Taipei Fine Arts Museum

Photo courtesy of the organiser/s

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